In General
Figurations of Transition
The arts, humanities, and sciences may be regarded as fields in which reflection on life in its broadest sense takes place—but also, more specifically, as domains in which practitioners reflect on the conditions and possibilities of their own work.
The focus area FIGURATIONS OF TRANSITION explores thresholds and dynamics between life and death, the individual and the collective, art and life. It focuses on forms and figures of transitoriness in the arts and in cultural imaginaries, tracing key stations in a cultural history of creation and destruction, beginnings and endings.
FIGURATIONS OF TRANSITION is conceived as an open network of researchers, artists, and teachers from the University of Salzburg and the Mozarteum University. Together, we work across disciplines and faculties to develop formats that bring scholarship and the arts into productive dialogue.
Proposals for events that engage with the thematic focus of the programme are welcome at any time. We regard such initiatives as developmental projects, and expect openness in discussion and flexibility in planning from our collaborators—particularly as regards the integration of scholarly and artistic dimensions. The programme’s directors decide on project realisation; further planning takes place in close consultation.
Ideally, proposals should be submitted 6–12 months in advance.
If a publication is planned in connection with an event, it should appear in the FIGURATIONS OF TRANSITION series published by Sonderzahl. Responsibility for securing funding lies with the volume editors.
Image credit: Hans Pollhammer, untitled (Ahoi), acrylic on canvas, 2008, detail
Current Events
Past Events
Writings
"Figurations of Transition: Writings on Knowledge and the Arts” publishes both individual volumes and Miscellanies essays, contributions to events, reviews, reports, essays (https://transition.hypotheses.org).
Teaching
Teaching at the focus area Figurations of Transition is closely linked to research and artistic practice: conferences, workshops, lectures and exhibition projects are often integrated into teaching. Students are thus involved in the exchange between research and artistic practice. Teaching, research and education are in a constant interaction.
Our focus area is supported by scholars and artists from the Mozarteum University and the University of Salzburg, the so-called ‘core group’. Its members come from the visual and performing arts as well as from literature, cultural studies and the arts. They organize events at the focus area and teach courses.
Publication
Here you will find publications that were supported by the focus area "Figurations of Transition" and/or resulted from events organized by the focus area.
Kuon, Peter / Laville, Béatrice / Magne, Élisabeth / Winter, Susanne Winter (Hrsg.): Polémiquer - Provoquer - Scandaliser, Presses Universitaires de Bordeaux 2019.
Bleuler, Anna Kathrin / Kern, Manfred / Kuon, Peter (Hrsg.): Poesie des Widerstreits. Heidelberg: Winter 2020.
Deutschmann, Peter / Herlth, Jens / Woldan, Alois (eds.): “Truth” and Fiction: Conspiracies and Conspiracy Theories in Eastern European Culture and Literature. Bielefeld: transcript 2020 (= Culture & Theory, 193).
Ehrmann, Daniel / Wolf, Norbert Christian (Hrsg.): Der Streit um Klassizität. Polemische Konstellationen vom 18. bis ins 21. Jahrhundert. Wien u.a.: Böhlau 2020.
Haitzinger, Nicole / Kollinger, Franziska (Hrsg.): Harlekinaden. Beiträge zum Aspekt des Polemischen in den szenischen Künsten. München: epodium 2020 (=Tanz & Archiv – Forschungsreisen. Auftritte und Theoria ästhetischen Wissens, 9).
Brandt, Sigrid (Hrsg.): Massen Sterben – Wege des Erinnerns an zwei Weltkriege in europäischer Perspektive. Berlin: Hendrik Bäßler 2021.
Haitzinger, Nicole / Kolb, Alexandra (eds.): Post-Utopia and Europe in the Performing Arts. München: epodium 2021. Das Buch wird auch als E-Book verfügbar sein.
Degner, Uta / Gürtler, Christa (Hrsg.): Gespenstischer Realismus. Texte von und zu Kathrin Röggla. Wien: Sonderzahl 2021.
Assinger, Thomas / Ehrmann, Daniel (Hrsg.): Gelehrsamkeit(en) im 18. Jahrhundert. Autorisierung – Darstellung – Vernetzung. Heidelberg: Winter 2021 (=Beihefte zum Euphorion. Zeitschrift für Literaturgeschichte, 116).
Degner, Uta / Gürtler, Christa (Hrsg.): Elfriede Jelinek: Provokationen der Kunst. Berlin: De Gruyter 2021.
Haitzinger, Nicole / Kolb, Alexandra (eds.): Dancing Europe. Identities, Languages, Institutions. München: epodium 2022.
Team
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Dr.in phil. Hildegard Fraueneder »
Head of programme area
Art History T: +43 662 6198 3122 E: hildegard.fraueneder@moz.ac.at -
Univ. Prof. Dr. phil. Mag. phil. Werner Michler »
Head of programme area
Modern German Literature T: +43 662 8044 4353 E: werner.michler@plus.ac.at -
Univ. Prof. Dr. phil. Mag. phil. Peter Deutschmann »
Co-Head of programme area
Literary and Cultural Studies / Slavic Studies T: +43 662 8044 4502 E: peter.deutschmann@plus.ac.at -
Univ. Prof. Dr. phil. Mag. phil. Manfred Kern »
Co-Head of programme area
Early German Literature and Language T: +43 662 8044 4378 E: manfred.kern@plus.ac.at -
Dr.in habil. Romana Sammern »
Senior Research Fellow
T: +43 662 8044 2378 E: romana.sammern@plus.ac.at -
Mag.a phil. Silvia Amberger »
Referentin
T: +43 662 8044 2377 E: silvia.amberger@plus.ac.at -
Flora Platzer »
Studienassistenz
T: +43 662 8044 2376 E: Flora.Platzer@plus.ac.at
